Interview with Mark Levinson

Mark, let me express our pleasure from cooperation with you. How has this idea actually come into your mind?
I have been always dreaming about showing people, how beautifully music can sound. I love sound of acoustic instruments. In the 60s I was a professional jazz musician playing with Keith Jarret or Chick Corea. I play double bass, flugelhorn, and sarod (a North Indian classical string instrument). I own a great Italian bass from 1680 and still play it as often as I can.
The piano is still one of the most challenging instruments to reproduce. It is a big challenge to record a great pianist with true, natural sound. There are plenty of piano recordings on the market, but only a few of them capture the real piano sound. First of all, you have to find piano with a soul that bring you an emotional experience. And then you must ensure that the piano will be perfectly regulated, voiced and tuned. Everything depends on a perfect preparation: wide dynamic range, rounded and clear tone, color of a tone, etc. And still, you have to choose the right piano. I was looking for it quite a long time and finally I was happy to find it all in PETROF pianos.
What exactly do you expect from this project?
I hope to increase awareness of:
1. The beauty of acoustic music in live and reproduced form.
2. The special qualities of PETROF, and the valuable history it carries forward.
3. The new possibility of enjoying recorded music at such a high level through Daniel Hertz equipment.
What else do you need in a project?
1. The right musicians.
2. The right instruments.
3. The right recording system.
4. The right playback system and room.
5. The music lovers who would enjoy to be part of it.

PETROF sounds and golden ear Mark Levinson hears it

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